At the beginning of each creation, I always think about the intimate relationship among human body, nature, regions and jewellery firstly, trying to explore the interesting and magical places and express them with jewellery.

I try to break the tradition of only using metal as the material to make jewellery. There is an adventure of materials behind each piece of jewellery. Exploring the possibility of different materials can bring the spark of collision. For example, in the series of <Human cell>, I use resin as the main material and mix it with propylene, colouring agent, cold enamel and liquid resin to create a fantastic visual effect. In my artwork <Maps>, I use colour pencil to colour the copper plate, which enhances the richness of the colour and the beauty of the picture.

Jewellery is my second language to communicate with the world, through which the maker or the wearer can transmit their emotions.

在每次創(chuàng)作之初，我都會(huì)先思考首飾與人體、自然、不同地域的關(guān)系，探索有趣而神奇的地方，并盡我所能用首飾來(lái)表達(dá)。

我嘗試打破傳統(tǒng)首飾只用金屬作為材料的規(guī)則。每件首飾的背后都是一場(chǎng)材料的探險(xiǎn)。探索不同材料的可能性能夠讓不同的材料碰撞出不一樣的火花。例如，在《細(xì)胞》系列作品中，我運(yùn)用樹(shù)脂作為主要材料，并且與丙烯、染色精、冷琺瑯、液體樹(shù)脂等結(jié)合，創(chuàng)造出奇妙的畫(huà)面效果。在我的作品《地圖》中，我用油性彩鉛在銅板上進(jìn)行上色，這增強(qiáng)了圖像的色彩豐富性和畫(huà)面美感。

首飾是我傳達(dá)給外界的第二種語(yǔ)言，佩戴者或是制作者可以通過(guò)它們傳遞自己的情感。